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Winged Scapula…Really?

There seems to be a great propensity within exercise professionals to diagnose, and the unfortunate thing is that a lot of the time they don’t even realise they are doing it.

At a recent training sessions I noticed that a lot of instructors were quite comfortable telling their partners that they had ‘winged scapula’.

Now you could argue that that is a generic term for having shoulder blades that stick out from your rib cage but it is the technical term for shoulder blades that stick out from your back because of a neurological issue.

If a member of the public in a class took that phrase to their doctors we would be faced with two scenarios:-

A – the GP would panic they had missed a diagnosis of a neurological condition,

B- the GP would have a wry smile and think ‘Exercise professional talking bollocks again.’

Either scenario is not great for the professional involved and both leave the member of public doubting the knowledge of the experts.

To be fair, when it was pointed out to the exercise professionals that winged scapula was a medical sign of the long thoracic nerve not functioning, which is quite a rare medical disorder, they were horrified they had ever been introduced to the term.  When shown a picture of a genuine winged scapula, none of them had ever seen it.

Let’s compare two pictures.

This is a genuine winged scapula caused by the long thoracic nerve not working.  This nerve innervates the serratus anterior muscle and with it not contracting and holding the shoulder blade (scapula) to the rib cage, the scapula sticks out if pressure is put on the extended arm.

 

You can imagine that this would display itself during press ups.

There is a difference between the person whose shoulders blades stick up in a press up because they are not used to contracting the serratus anterior and the person who can’t contract that muscle. (It’s the subtle difference between ‘you have a winged scapula’ and ‘your scapula are winging’ although the second phrase is usually used by people who don’t appreciate the difference and have grammatically stumbled on the phrase)

 

This second picture is from a site aimed at exercise professional.  It is claiming that this is a winged scapula and that you can fix it with their exercises.  There exercises engage the Serratus so would pull the scapula in but you can see that the person’s scapula isn’t winging, in fact the arrow points to a depression on their back where their scapula is, over hung by the development of their Traps.   Is it any wonder that people get confused.

To further add to the confusion the same site overs to fix something else that isn’t a problem.

Here we can see someone with their finger tips inserted between a scapula and a rib cage – this must be a problem!  Surely this is winging?

No, look at the pose.  The man has his hand around behind him in the small of his back.  This is the pose that body workers use to release the shoulder blade so that they can work on the muscles around it.  If your shoulder blade didn’t come away from your rib cage in this pose you would never be able to get into the pose, your arm wouldn’t go behind you.

Maybe its just trying to demonstrate the problem on someone whose nervous system is functionally properly.  I think they would have been better using a press up and asking him to relax his serratus.  If you can contract it, you can relax it and allow your shoulder blades to splay out (not wing).

The bottom line is that words are powerful.  If you have taken a technical term from another profession then you need to be careful how you use it.  Particularly if the person you are using it with is likely to go across professions (like the public).

The public’s understanding on how their body works is often dubious.  The professions don’t need to add to the confusion by not appreciating what they are communicating.

 

There be dragons…

I would not describe myself as a cryptozoologist – the jury still seems to be out on what that means.

If it is someone who tries to justify the existence of mythical creatures, then count me out.  If it is someone who studies mythical creatures then, guilty as charged.  Many hours have been spent debating whether four legs and wings would work and they are a fantastic ‘in’ to the public for science communication.

I’ve recently had an article published that used zombies to explain neuroanatomy (available here).  I asked everyone at the event to give me a zombie impression – they all stood up and did the same thing.  If zombies don’t exist then how did they do that?  We very quickly get into philosophical discussion about ‘existence’ and phrases such as ‘social constructs maintained in the societal collective’

Moving on….let’s talk mermaids!

There is a very rare (1 in 100,000 births) congenital deformity where babies are born with their lower limbs fused together.  This is called Sirenomelia or mermaid syndrome.  Its cause it debated.

Here I am talking about the mythical creature who lures sailors to their deaths – they generally aren’t nice – you need to think about Harry Potter and Peter Pan as opposed to Ariel.

Mermaids (and mermen) are another creature that almost everybody knows what they look like.  Another useful ‘in’ to describe movement and spinal musculature.

Almost everyone describes a merperson’s tail as seen in this picture. (I was going to use the statue of the mermaid from Copenhagen but it has legs).  The merperson has a lower half that is covered in scales and the fins of the tail are in the same orientation as the arms – they stick out to the sides.

They are described as being half human, half fish.

A fish has a tail that looks like this.

The fins are vertical.  The main musculature on a fish sits either side of the spine, anyone who has ever filleted a fish can confirm that.  As a fish swims it moves its tail from side to side.  There is an argument that this is the evolutionary advantage of having the left side of your brain control the right side of your body and vice versa.  When danger approaches a fish from the right, it has to contract the left side of its body to move away.  The few milliseconds advantage that it gets from having the right side of its brain control the left side of its body could mean life or death.  (This gets complicated when we appreciate that the visual field might cross over too, but I did say it was an argument, as opposed to the truth)

To use their tail in the same way as a fish, a merperson would have to swim on their side.

The main musculature in the torso of a mammal is at the front and back.  Aquatic mammals have tails that look like this and the movement in the water is up and down rather than side to side.

This is the way that merpeople are usually depicted as swimming in films.  That would make sense, the top half of the merperson is mammalian, its musculature would be at the front and back, the tail movement is usually orientated that way.

What is with the scales then?

Is the half fish bit just the scales and the appearance of the fins?  A quick look at their suggested anatomy and movement would say that they are more likely to be half person, half dolphin.

That probably doesn’t look quite so photogenic in films.

Either way, you probably will never look at mermaids in the same way again.

(Let’s just gloss over the fact they sit on rock with no pelvis and they bend their tails at the ‘knee’ joint)

And so it starts…

When I first started my academic anatomical study five years ago, the plan was always to try and take that knowledge back to the exercise world and the other professions which don’t always gets access to qualified anatomical education.

This weekend saw the start of that process as Kat Sanders, Gabs Finn and myself ran two workshops at the Pilates Gathering 2019 in Edinburgh.

We had the joy of helping two groups of pilates instructors explore the shoulder joint.  They felt around the bony landmarks, looked at the joint during movement and then attempted to paint on the muscles, understanding their actions.

Everybody enjoyed it

 

We also had the opportunity to paint up our model and have him pose on some of the pilates equipment from balanced body so that people could see which muscles were being used during exercise.

 

       

We left with several contacts for taking qualified anatomical into teacher training and thought about planning a retreat for anyone who wants to understand more about their anatomy.

Watch this space!

Machete

It surprises some people to find out that I was a Zumba instructor.  You can’t be a serious sports people and like Zumba! It’s just dancing around!

Well HITT and squats aren’t for everyone and anything that gets you moving is great!

This week we did one of my favourite moves at class.  Its one of my favourite because it demonstrates a problem with anatomy education of the public. (You might have guessed that)

The move is the machete move from the Cumbia dance and it mimics the moves involved with cutting down sugar cane.

I’ve linked to a little instructional video here.

(Zumba have a very large legal teams so no videos of me dancing)

The arm comes across in front of the body palm up and then as you step back the arm rotates so that the palm is now facing out.  You hardly notice it at the low speed but as you see when he speeds up he introduces this little circle in the middle of the movement to ensure he gets that rotation.

Try it yourself.  If you add that little circle so that the palm is facing outwards as the arm goes back then you can get that joint a lot further than if you don’t have that little circle.

Why is that?

If you do the circle properly then it actually rotates the whole arm.  It moves the greater tuberosity of the humerus, a lump of bone at the top of your arm bone away from the bones at the top of the shoulder joint.

The reason you don’t get so far if you don’t do the little circle is because the bones obstruct the movement.

Now bear in mind that some of the people who are doing this are doing it at speed and dancing like no one is watching and you have a potential injury waiting to happen.

It takes ten seconds to explain it and you can feel the difference instantly in your own shoulder joint.

If you know someone who does Zumba – pass the message on

Pink Flamingos and Cochleas

I was planning to do a piece on the workings of the ear, how we hear.

The ear is fascinating.  A complex mix of cartilage and bone tunnels, moving membranes, tiny tiny bones (although still the only bones that are full size when we are born), our own amplification system, liquid filled coils, sensitive hairs and electrical impulses.  It allows us to hone in on particular noises, it can help us identify the direction the sound is coming from.  Without it our interactions with the world would be different.

And then…

Yesterday I ran a team building day.  We started with an ice breaker, an exercise in listening.  Each person had to greet another person, introduce themselves and say what they had recently watched on TV, their partner would reciprocate and then they would both move on to find different partners.  Simple enough.

Someone in the room had a secret message.  This person would introduce themselves and then say

‘The pink flamingos fly south over the artic.’

A fairly distinctive message for a number of reasons.  Once this message was passed on (it couldn’t be repeated) the person would resort to the conversations about TV programs with their next partner.

We did this for about 5 minutes.  At the end, I asked the person with the secret message to identify themselves. They all knew there was a secret message and they had to pass it on so you would have hoped they were waiting for it.   There were two of them!  What was the message?

‘The crows fly up through the clouds.’

In light of this experience (which I am sure is not unique to our team) I would like to revise my explanation of how hearing works.

Sound waves travel through the air and are channeled into the ear canal by the external auricle.  The sound waved travel down the ear canal and cause the tympanic membrane (ear drum) to vibrate.  This in turn causes movement in the three auditory ossicles, the malleus, the incus and the stapes in the middle ear.  The base of the stapes is in contact with the oval window of the cochlea.  The movement of the stapes causes the oval window of the cochlea to move and this, in turn, causes the fluids inside the cochlea to move.  This movement is detected by hair cells inside the various compartments of the cochlea.  These cells generate signals which are taken by the auditory nerve to the brain.

These signals enter the brain at which point it makes up the message that it thinks you should be hearing and directs this to the parts of your brain that should have been paying attention.

Does that sound about right?

Akimbo

Akimbo – it’s not a phrase you often come across.  I was introduced to it in Peter Pan.  It’s used to describe the way the characters stands – arms akimbo.  It describes the action of standing with your hands on your hips with the elbows splayed outwards.

 

I was provided with a nice illustration of the pose a few weekends ago (it may well have been because the people involved were wishing they had never grown up, like Peter Pan!)

 

I was watching  a Scottish Touch Competition.  As training for the Under 18 Scottish touch rugby team they are taken to these competitions to play against adult teams.  You can maybe imagine the emotion of these middle aged players when they come face to face with the national youth team on the field.

This was the view I was provided with half way through the game.

You can see three players with arms akimbo and a fourth player with their hands on their knees.

Why are they standing like this?

They are knackered!

But why do we adopt this position when we are tired?

This is the body taking control and making it easier for us to breathe.  But how does this work?

It comes down to the action of breathing and kinetic chains.

We have a number of muscles that connect our arms to our body.  These are usually used for moving our arms around.  The pectoralis major and minor, the serratus anterior and the latissimus dorsi all connect our arms to parts of our thoracic cavity.  The end of the muscle connected to the ribs is usually held in place while the muscle contracts to move our upper limbs about. Our arms are free to move around, they are the end of an open chain.

When the body needs more air it makes us close that kinetic chain.  You put your hands on your knees, your hips or behind your head.  You close the chain by fixing your arms.

Now when those muscles contract the arms can’t move and so the other end of the muscle moves.  It pulls on the ribs and it aids with the expansion of the rib cage so that you can get more air into your body and recover.  These muscles are known as the accessory muscles of respiration.

Arms akimbo might be part of the power pose, you’re getting in more oxygen so that you can make you move but in a physical situation like this  it sends a message to your opponents that you are tired.

The things we do to our bodies

When you study anatomy you develop this tendency to people watch.  Whether its looking at people who walk past the coffee shop and seeing how many people in high heels can actually straighten their legs or whether it is looking at artistic performers or movement specialists in wonder.

No where is this more prominent than in sport.  The things that sports people put their bodies through, or are able to do with their bodies can be just amazing.

The distinctive kicking style of Tayla Harris is nothing short of the full splits performed whilst sprinting, no break in stride.  Whilst recent pictures on social media have prompted some repulsive comments very few have risen to the challenge of recreating the photo of the kick.

On a recent trip to America I filmed this baseball player.  Just look at the position he gets into, effortlessly.

The problem, of course, is if you push yourself to the limits at some point you are going to find them and things are going to go wrong.

The various tests for knee ligaments are something that I have performed a few times.  The cruciate ligaments hold the knee joint in place.  The Anterior Cruciate ligament (ACL) stops the femur from moving too far backwards in the joint and the Posterior Cruciate ligament does the opposite.

You test the ACL with the anterior drawer test.  The knee is bent at right angles, the foot stabilised and, with the hands behind the joint to check the hamstrings are relaxed you gently see if the tibia will move forward in the joint.  There should be some movement but not much.

It’s the same problem as a lot of these tests.  They are usually demonstrated on someone who has in tact ligaments.  Its very similar to the cranial nerve tests which are usually demonstrate with someone who has functioning cranial nerves.  How do you know what the normal range of movement is?

This week a sports injury from 2014 almost ‘broke’ the internet.

In the 2014 rugby game where South Africa took on Wales, Jean de Villiers suffered a horrific knee injury.  I’m not going to post a video of the injury because it is shocking.  If you want to see it you can find it on the internet but it is not for the faint hearted.

It was thought he would never walk again.  He had numerous operations and he made it back to playing rugby.

This week he was demonstrating on instagram that his knee was a bit loose.

That is too much movement!  And yet he is walking around on it – the body finds a way.

In the week that we also lost Niki Lauda, and realise the things his body went through and he put it through during his recovery, it’s amazing to look at what some people are prepared to put their bodies through to pursue their dreams and equally amazing what the body is capable of.